Pacific Rim-Review
Pacific Rim-
There is a reason why I absolutely revere the beautiful
unpredictability of movie business. Sometimes you predict something and the
inevitability of uncertainty ensures that you in the end are only left
confounded, wondering how the usual play safe Hollywood mentality sometimes
goes all the way to produce something so risky. First there was Inception and
now there is Pacific Rim, both being multimillion tentpole sci-fi features they
are, and most importantly they are completely original properties. Dabbing into
history, Inception went on to gross more than 800 million USD, but what is it
we can expect out of Pacific Rim?
In strict terms, this is not exactly an original idea, but
more of homage to all the guilty pleasures a spoiled adventure loving kid has
ever had in life. Referring to a Variety article I read earlier this month,
this is Transformers minus the crass Michael Bay mentality plus the playfulness,
the cutesy dumb action and the human sensibilities omnipresent in every Del
Toro movie, a far cry from all the overtly lamenting and pseudo dark superhero
movies we’ve been bombarded with every now and then.
The plot is very simple, with some finer storylines
intertwined in its strands- ‘The world is about to end as water beasts ‘Kaijus’
start appearing out of a crack deep inside the oceans and start devouring the
entire planet ( and not just the New York city!) and the human resistance
starts producing monsters of their own to fight against them .
On the surface, it feels all too familiar, but the whole
premise livens up when we learn that these monsters called Jaegers are
inherently controlled by two human beings, one controlling the left and the
other, the right hemisphere through a neural bridge of some kind drawing us in
and making us actually care about the people who are fighting against the
ungodly Kaijus and not think of them as just a walking and trampling piece of
metal. This little trick is what shakes you inside when a Jaeger gets defeated
in Alaska and the Rayleigh (Charlie Hunnam) ‘s brother gets killed , or when we
accidentally are divulged the secrets of the elusive Mori(Rinko Kikuchi) and
learn who had saved her, and what is it that she had been hiding inside her all
the time.
This Pacific Rim, is a pure summer blockbuster contender
which thank god, does not take it too seriously, but only serves to appease
that dormant inner child in us all, through relentless action pieces, awe
inspiring visuals, occasional comic relief in the form of Charlie Day’s geek
scientist and Ron Perlman’s Hannibal Chau- a Kaiju organ harvester, and the
beautiful sequences featuring the people inside the Jaeger machines and the
innate flame of bravery that is driving them forwards. There being no scope for
some iconic dialogues , Charlie Hunnam and Idris Elba(playing the defacto
African-american army captain), immerse themselves into the proceedings so much
that you yourself are subconsciously forced to clap and cheer when they deliver
whatever corny and cheesy lines they are regularly made to enunciate.
Technically it is very evident where all the money went in
and it shows, the movie looks gorgeous, and the visuals are very innovative. You can
easily say that Del Toro is definitely among the most creative directors
working today when you keek into the brilliance he has exhibited in some of his
well known movies( the Hell boy series) and the lesser known Pan’s Labyrinth
and Devil's Backbone
The imagery invokes a sense of magnificence and grandeur
that no other contemporary action work has managed to achieve. The
cinematography by Guillermo Navarro is just about perfect, with very well
conceived shots and well captured frames filling your olfactory senses, with no
gimmicks like the usual lens flares, the sudden zooms or shaky camera works I
have come to detest overtime. Ramin Djawadi’s soundtrack is also very
memorable, with thundering cues and rollicking guitar lines blasting away
alternatively, giving you something different everytime a scene changes or
segues into another.
Sadly , the early trackings have shown that the movie will
have a slow opening, maybe even lower than the mean spirited and low brow
comedy, The Grown Ups 2, but as I discussed earlier in the article, the film
industry is grossly unpredictable. While Christopher Nolan had a rabid fanbase
supporting him, Del Toro has had his own share of fan fare and who knows what a
fair bit of word of mouth would do to a film like this. Or did it need more of
the humane touches throughout its runtime or a maybe a better promotion from
the part of the Warner brothers?
Rating 4/5.
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